Mounia calms him and says that sooner or later Karima will marry and have a house and kids like all other women. The series begins with the death of their father, an event to which Mennana reacted with a surprising composure and asked her daughters not to shed a single tear before the sun rises. After noticing what Hajj Bahi is planning to do, Amina quickly pulls her husband and walks towards Hajj Bahi and Rachid to sabotage his plan by showing him that Karima has a hot-tempered nature. She is portrayed as a character that does not shy away from expressing her opinions and demanding her rights in the public sphere even in a community where such a behavior is frowned upon. The theoretical part also tackled the situation of women in the national media and presented some studies that dealt with the same issue. She refuses to let him marry her by force. Karima and the Women of the Village Protesting Episode 1,
Karima sarcastically pretends to be excited and says that she should be pretty to meet the eligible bachelor. She told Mennana that if she could not do it for her then at least she should have done it for convenience or for the sake of guests and reputation. She replies that it is neither an embarrassment nor a scandal, and that the only reason they think so is because men were accustomed to women being silent and obedient but now they have freewill. During the funeral, as the guests are mourning the dead man, two of the daughters, Bahia and Chama played by Noura Skalli and Samya Akeryou, argue in whispers as the first one blamed the second for not painting the windows properly. It was chosen in order to shed light on how the conservative mentality regards women and it serves as a unique example of a series that features a feminist figure who originates from a rural area which is worth considering and putting under the microscope. In this scene we notice a shift from the urban area to a rural one.
He explains that he left his friends and came so as not to leave her alone in her ordeal and she replies by saying that her father is dead and thus she already is alone. The theoretical part also tackled the situation of women in the national media and presented some studies that dealt with the same issue. She waits until Karima leaves and calls her boyfriend again wishing that he would answer the call. It tells the story of a widow, Mennana, who is the mother of four daughters and who struggles to keep them in control and confine them to their home.
One stereotype that is strongly reinforced in this scene is that of women being always curious in their quest to discover hidden things and unveil family secrets even though it has only been a day since the death of the owner of those objects, namely the father. He asks Younes if that is doctor Hanae.
Bnat lalla mennana saison 2 ep 30 –
As soon as she opened the letter she discovered what seemed to be a will but someone called her before she could read it. She also explained how her son suffered with Mennana and lived a bitter life. Rhimou suddenly enters the kitchen and catches Aicha in the act. Embedded in this laloa is another quality that is particularly associated with rural fathers.
Anis complains to him about how exhausted he is.
Despite harboring deep affection for her late father, his absence now means that the authority of the father is gone and an example of that is the coming of her secret lover, Imad, which would not have been possible if her father was still alive. As they stop, Hajj Bahi asks Karima about the meaning of lxlla this, and lala that she is embarrassing herself.
After a few moments, her face quickly changed and she took a look around and asked the closest woman near her if they had served them food or not. Hajj Bahi pours tea for Rachid and claims that it has been made by Karima.
Images of Episoed in Dar el Ghezlane 13 Conclusion After a while, a woman enters the house wearing a black jellaba and starts sobbing and moaning about how they did not wait for her to see the dead man and bid him farewell before his burial.
Bahia in the Father’s Room Episode 1, Public setting in the parliament.
Bnat lalla mennana Ep 14 | Fantastique
Once again, Karima plays the role of the rebellious older sister who keeps an eye on her younger sister to keep her from doing anything that is against her feminist ideals. Her friends are afraid that she might have killed him and she says that he deserves it for peeking at them. He then asks him if he is married or epixode, after Rachid says that he is still single Hajj Bahi asks him to pay them a visit at home to get to meet Karima who has grown up and became a woman.
In this scene we notice a shift from the urban area to a rural one.
Indeed, Rachid falls into the trap of this idealized housewife and declares that he prefers rural women to Spanish ones just because they are good housewives and excellent cooks.
Mounia calms him and says that sooner or later Karima will marry and have a house and kids like all other women.
He asks the maid where Karima is, when the latter tells him that she is in her room episodr asks her to call her in order to say Hi to Rachid. The first example that will be analyzed is Lalla Mennana which is a Moroccan series that was broadcasted in on 2M. Ismail and Amina Episode 1, Likewise, even wearing make-up was faced with scorn which further proves the kind of pressure that female women go through in rural households as depicted in the scene.
Conclusion The aim of this paper lallla to investigate the representation of women in the Moroccan. Rhimou was surprised to discover, for the first time, that their father used to smoke a pipe.
troupe takoon : bnat lalla manana -nora skali
Karima confidently declares that they are fed up with silence and that God has given a brain to both men and women and the same blood and that they should fight the darkness that resides in the minds of men. The eldest daughter offered to tend to the widows after the guests are mfnnana while showing her frustration after mopping the floor of the whole house.
He says that he does not smell anything bad and that everything is normal and she accuses him of having a nose that does not work properly. The first part of this paper provided an overview of the audiovisual situation of Morocco through proposing some statistics about the viewership of the Moroccan channels to stress the sheer impact that television has on the Moroccan population and that it reaches an important percentage of homes. In addition to that, the woman is shown as possessing the cunning and wits to help her escape difficult situation as she fakes pregnancy knowing that it is the only thing that would deter a suitor from taking her as a wife.
In addition to that, the male doctor was shown as having the upper hand by having her agree to escort him to a date despite the fact that they have only known each other for a few minutes, this further bnwt the idea that women bjat easily manipulated by men and this scene in fact reinforces this and portrays sexual harassment as something normalized in the work place and that women are fine with it.
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Bnat lalla mennana saison 2 ep 30
Karima is still wearing manly clothes and her father wpisode at her saying that 27 Dar el Ghezlane, Episode 1 www. Another interesting idea that can be elicited from this scene is the fact that Youssef associate the quality of being a woman to following traditions and obeying the father, as soon as Karima mennsna this norm he symbolically strips her from her womanhood and states that he is unsure whether she is a man llala a woman because of her behavior.
Enter the email address you signed up with and we’ll email you a reset link. One of the women responds by saying that she should be neutral, if women are doing work at home then men are doing work outside to provide for the family. This gives the impression that women are lakla under emotional oppression and consequently are in a sense waiting for the moment in which they would be liberated to experience their romantic escapades freely which is an allla representation of the women because they do not all live under the same circumstances.
Their maid who is present at the ceremony asks 26 Dar el Ghezlane, Episode 1 www. In another demonstration of sheer bravado, Karima publically challenges the authority of the father figure.
Embedded in this scene is another stereotype which was previously talked about which is the animosity between mother in laws and wives.