Shots of taxiing United Airlines Boeing aircraft and traffic patterns during rush hour are seen on a freeway and a shot of a large parking lot. According to Hopi Dictionary: The sequence uses time-lapse photography of the activity of modern life. The footage was processed with a special chemical to enhance the film’s shadows and details, as all footage was shot only with existing lighting. The scene then dissolves to the roof light of a taxi cab. While Reggio was working on post-production at the Samuel Goldwyn Studio in , [18] he met film director Francis Ford Coppola through an associate from Zoetrope Studios , Coppola’s production company.

You don’t like Cox? The camera follows a flaming rocket engine and a white vapor trail or smoke against a blue sky as the debris plummets toward the ground. Bill Lawrence created by , Aseem Batra. The film consists primarily of slow motion and time-lapse footage of cities and many natural landscapes across the United States. Comparison between the two versions. Bob Kelso John C. University of California Press. Yes No Report this.

The first theatrical run featured four-track Dolby Stereo sound, while later runs featured monaural sound. Bob Kelso John C.

My New God

My New God 17 Jan We all know that the janitor doesn’t get along with JD. It no longer describes the world in which we live. Edit Cast Episode complete credited cast: This is followed by shots of power lines in the desert. The guy on the right bowls, while the guy in the pink shirt on the left does not; he goes to throw the ball, but instead holds onto it, then walks back to his friends and high fives as if koyaansiqatsi has just bowled a strike.


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“Scrubs” My New God (TV Episode ) – IMDb

After aerial views of monumental rock formations partly drowned by the artificial Lake Powellwe see a large mining truck causing billows of black dust. When the piece is at its fastest, it is characterized by a synthesizer playing the piece’s bass line ostinato. This is followed with stock footage of Soviet tanks lined up in wcrubs and a military aircraft, and an aircraft carrier.

This is followed by a composite shot of the moon passing behind a skyscraper. Webarchive template wayback links Use mdy dates from April Articles with hAudio microformats Album infoboxes lacking a cover. The next image is a close-up of a Saturn V rocket during its launch Apollo Retrieved June 6, The visual tone poem contains neither dialogue nor a vocalized narration: My New God 17 Jan 8.

Fricke wanted the footage to “look normal” and not contain any “gimmicky” special effects. Three Hopi prophecies sung by a choral ensemble during the latter part of the “Prophecies” movement are translated just prior to the end credits:. The sequence then shows cars moving much faster than they were moving before. Retrieved 30 May The music builds in speed and dynamics throughout the piece’s 21 minutes. She’s a born-again Christian who wants srubs to participate in his son’s baptism.

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Prior to shooting The Scrube and Rumble FishCoppola requested to see Koyaanisqatsiand Reggio arranged a private screening shortly after its completion. Godfrey Reggio’s ‘Naqoyqatsi ‘ “. Perry Cox Judy Reyes Search for ” My New Koyaanisqahsi ” on Amazon. The ending was so touching and the song fit perfectly. Start your free trial. Various shots of people are seen from all walks of modern life, from beggars to debutantes.


You don’t like Cox? Audible Download Audio Books. Retrieved 25 August Keep track of everything koyaansiqatsi watch; tell your friends. The film’s introduction to human involvement in the environment is a low aerial shot of choppy water, cutting to a similar shot of rows of cultivated flowers. Naqoyqatsi was completed after a lengthy delay caused by funding problems and premiered in the United States on October 18, From there, it progresses to footage of various natural phenomena such as waves and clouds.

Full Cast and Crew. Scruba of making public service announcementswhich Reggio felt “had no visibility,” advertising spots were purchased for television, radio, newspapers, and billboards.

The music has become so popular that the Philip Glass Ensemble has toured the world, playing the music for Koyaanisqatsi live in front of the movie screen. Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet! In the score by Philip Glassthe word “Koyaanisqatsi” is chanted at the beginning and end of the film in an “otherworldly” [29] dark, sepulchral basso profondo by singer Albert de Ruiter over a solemn, four-bar organ-passacaglia bassline.

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This is followed by shots of people walking along streets in slow motion.