SHANKABOOT EPISODE 19

Web drama development and features Shankaboot forms part of the Web drama concept that has been developing for more than a decade, particularly in the USA and the UK. New forms of web communication, from community sharing Some Internet surfers already have to wait more than half an hour to download one episode. Alongside its production activities it offers its expertise, as was the case with Shankaboot. Other characters include year-old Ruwaida and the mysterious something Chadi. Archived from the original on

Despite the technical challenges, the Web has many advantages, say its makers. Dreamland video , or even Girl Number Nine. This organisation uses the media to inform, educate, motivate and entertain the audience in more than 40 countries in the Middle East, Asia, Africa and Europe. With its dynamic editing, realistic settings, engaging music and use of regional, idiomatic Arabic, the result is a story that young Lebanese can identify with — one that is a world away from the usual locally produced or imported series that use more formal, literary Arabic. However, the movement is only just beginning, and we will have to prove that there is potential for the long-term survival of the local transmedia productions and new storytelling genres up against the traditional mentality of the entertainment and media industry. The stories of several other characters revolve around him, including those of Roueida, a young woman with whom he falls in love, and Chadi, an enigmatic character who is somehow responsible for allowing Sleimane to work. Subscribe to the newsletter. These series highlight togetherness and local community.

Shankaboot, or the Unprecedented Success of a Web drama in the Arab World

Despite the technical challenges, the Web has many advantages, say its makers. Furthermore, imagination, even creativity, constitute — according to the producers of Shankaboot and many other young Lebanese and Arabs up to speed on digital storytelling — a major challenge to the Turkish and South American programmes for which shankabboot cost of dubbing into Arabic remains below that of a local quality production.

They make use of a specific camera style, close-ups or frequent direct-in-the-face shots. Please check the address or use the links below to access the requested content. Fiction — in competition with high quality multimedia productions from the UK, the Netherlands and Brazil. A veritable first in the Arab world, Shankaboot is an interactive series aired only on the Web.

Shankaboot – Wikipedia

As a result, the sluggishness of the Internet connection in Lebanonfor example, does not allow for the development of episodes lasting more than five minutes each. These series highlight togetherness and local community. Consequently, what is to be feared is a loss of values in terms of narrative innovation and editorial input, as is the case with digital storytelling when produced by brands whose primary objective is to serve their own interests — unless they are not the originators of the creative process, but associate their image with the transmedia experience proposed to the public.

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The production of the first season of Shankaboot took place in Beirut in December,largely in the area of Burj-Hammoud, a densely populated town on the Eastern borders of Beirut. The dialogues are in Lebanese dialect and the plots attract an audience of young people keen to get away from locally-produced televised series and imported series — Turkish and Mexican particularly — dubbed into literary Arabic.

T he project aims at fostering freedom of expression and human rights and encouraging young people to use new technologies and the Internet to promote their world view and peaceful practices. Alongside its production activities it offers its expertise, as was the case with Shankaboot.

In these terms, the project aims at fostering freedom of expression and human rights, and encouraging young people to use new technologies, and the Internet in particular, to promote their world view and peaceful practices.

As for censorship, it is still practised by several governments in the Arab world and the Middle East. While the shortcomings of the network will be dealt with imminently, in the meantime, the Lebanese Web has become a primary means for political, economic and media players, and particularly young Lebanese and Arabs, to promote their individual institutions and initiatives and achieve their objectives in terms of hsankaboot, social justice and the respect for fundamental freedoms.

Shankaboot was an interactive web-based video series filmed in and around BeirutLebanon.

Shankaboot, the Arab world’s first Web video fiction series

Each episode is accompanied by shankaboog short comedy show, Waheed El-Boozwhich presents the twists and turns in the life of a Beiruti electrician named Booz. Shankaboot, a dynamic Web series Made in Beirut! At the Digital Emmysit was awarded the top digital fiction prize in the category Digital Program: In other words, Web dramas emerge largely from the interaction between the narrator and his or her audience. Photo taken during a shoot. Would you like to add or correct something?

The second season of Shankaboot was filmed in Beirut and the Bekaa Valley. This page 199 not available. Some Internet surfers already have to wait more shankqboot half an hour to download one episode. To know the ethical rules and procedures for disclaimer, see our charter.

According to the Center for Digital Storytellingthe digital story is a short video created by an individual combining sound, still and moving images, music and dialogue in a personalised narrative.

Less than two months after its first broadcast, the 11 episodes of season one, each of which is between four and five minutes long, have been viewed more than 24, times on YouTube.

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An alliance with major Arab media groups ready to invest in projects that for them represent a great marketing lever for capturing new audiences would not come about without a loss of independence and freedom of expression.

These have been dynamically edited with a realistic screenplay and music composed by various young Lebanese artists like Rayess BekMashrou3 LeilaZeid Hamdaneand Tania Saleh.

Web drama development and features Shankaboot forms part of the Web drama concept that has been developing for more than a decade, particularly in the USA and the UK. The audience imagines the story and appreciates being both a witness to the characters and the events described as well as being an actor, unlike traditional theatre or film.

Is the personal computer phenomenon cutting people The show presents Beirut life and the life in Lebanon in a realistic style. From the same author. Produced in the Lebanese Arab dialect, it handles social topics that are taboo in the Arab world and opens the gates episoed an exchange of opinions amongst young Web users in the region.

Shankaboot, the Arab world’s first Web video fiction series

This is a new narrative technique known as Digital Interactive Storytelling. The dematerialization of information, normally thought to It should noted that the principle of interactivity was also recently used in an online cartoon, along the lines of Shankaootthe first Arabic cartoon production whose hero inhabits a fantastic imaginary world and has the course of his life decided by the Web viewers.

Contact the editorial staff. However, the movement is only just beginning, and we will have to prove that there is potential for the long-term survival of the local transmedia productions and new storytelling genres up against the traditional mentality of the entertainment and media industry.

From Algiers to Damascus, it could be the next big thing on the Arab-language Web. The epislde won the prize for best online content in the Arab world in the entertainment and games category of the World Summit Awardan initiative of the United Nations.

This is particularly what the Shankaboot project, the first Web drama series in the Arab world, has to offer. Writing reports no ethical problem to be brought to the attention of users on this article.